golempoem

inside a city without walls

No Large Contexts

Posted by matt on 12 November 2009

From Williamsburg Bridge (Hopper 1928)

From Williamsburg Bridge (Hopper 1928)

The true method of making things present is to represent them in our space (not to represent ourselves in their space). (The collector does just this, and so does the anecdote.) Thus represented, the things allow no mediating construction from out of ‘large contexts.’  The same method applies, in essence, to the consideration of great things from the past–the Cathedral of Chartres, the temple of Paestum–when, that is, a favorable prospect presents itself: the method of receiving things into our space.  We don’t displace our beings into theirs; they step into our life.

Walter Benjamin, The Arcades Project (p. 206)

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One Fall Night

Posted by matt on 5 November 2009

the dance of leaves when the autumn leaves blow (Joseph Brauer)

One Fall Night

Now that we’ve run the edge of a perfect circle,
we become recurrence.  From within its own absence,
the wind has picked up now—how sudden the advance
of this scheming season: doors shudder against the winds,
fields already lay bare but for those unharvested remains
still tendrilled to ideals of rotund abundance.

Once, we too were tethered to a timeless abundance,
an encompassing now which ruled our tightly drawn circle.
No movement beyond that present—nothing remained
from a yesterday, or for a tomorrow.  Time’s absence
removed us from the grief and hope that now wind
themselves tighter and tighter with each hour’s advance.

Not yet free, could we have known in advance
just how our first unthinking grasp of the abundance
would instigate time?   And evening.  And morning.  The four winds
carried us far from that primordial circle.
We drifted—evening, morning—and sculpted new absence
in our own image.  Then, discarding the remains,

we fled.  Never to return.  For us, all that remained
was rootlessness. Never to advance
beyond our love of loving.   We made absence
our god, and we lamented our emptied abundance.
And now, every circle is a vicious circle.
And now, autumn’s hour is again. Grinning winds

gorge themselves on barren fields, and other winds
still wait in the hills to claim their share of our remains.
We are safe.  Safe, we move within our warm circles,
bolstered and fortified against the winds’ advance,
repeating ourselves and others, feigning abundance—
this too shall pass, we are safe now, you know, absence

makes the heart grow there but for the grace of absence—
repeating, cowering within our wind-
struck shelters, we lean and summon abundance
back from autumn’s ambush, but find that nothing remains
after yet another thousand years’ advance
and again we run the edge of a perfect circle.

And abundance is last night’s grapes. Still chilled, they remain
in the bowl by the window, fending off dawn’s advance.
You, I, and our absence.  One fall night.  Encircled.

M. Salomon

photo: the dance of the leaves when the autumn winds blow by Joseph Brauer

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DANGER! Deconstruction Area…

Posted by matt on 10 October 2009

Miss Sunbeam (segner_sunbeam_couldnt_be_fresher)

…authorized personnel only…

Image: Ellen Barbara Segner

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Charles Wright–”Heaven’s Eel”

Posted by matt on 2 October 2009

Ripples (polaroid667--cropped)

HEAVEN’S EEL

A slight wrinkle on the pond.

Small wind.

A small wind and the rumpled clouds’ reflection.

Ho hum . . . What’s needed is something under the pond’s skin,

Something we can’t see that controls all the things that we do see.

Something long and slithery,

something we can’t begin to comprehend,

A future we’re all engendered for, sharp teeth, Lord, such sharp teeth.

Heaven’s eel.

Heaven’s eel, long and slick,

Full moon gone, with nothing in its place.

A doe is nibbling away at the long stalks of the natural world

Across the creek.

It’s good to be here.

It’s good to be where the world’s quiescent, and reminiscent.

No wind blows from the far sky.

Beware of prosperity, friend, and seek affection.

The eel’s world is not your world,

but will be soon enough.

Charles Wright

————-

SOURCES:

Text– New Yorker (10 October 2009)

Image–based on Ripples by polaroid667 (licensed Creative Commons 2.0)


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Paul Celan–”Was uns … ” / “What tossed us …”

Posted by matt on 30 September 2009

Liverpool Street station crowd blur (victoriapeckham-GIMPed)

Was uns
zusammenwarf,
schrickt auseinander,

ein Weltstein, sonnenfern,
summt.

Paul Celan

What tossed us
together,
startles apart,

a worldstone, sun-distant,
hums.

——————–
SOURCES: Text: Lichtzwang.
Image: Based on Liverpool Street station crowd blur by victoriapeckham (Licensed Creative Commons by 2.0)

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